This body of work explores the figure through movement, fragmentation, and repetition. Drawing on sequential imagery and references such as early motion studies, the works move away from fixed representation and towards a more constructed understanding of the image.

Rather than a single moment, these pieces attempt to hold multiple temporal states at once. Figures are broken, repeated, and partially reassembled, producing images that sit between stillness and motion. This introduces an instability in how the figure is read, where it is no longer fully resolved, but in a state of transition.

This process marked a shift in my practice from observation towards construction. The figure becomes less a subject to depict and more a structure to build, test, and disrupt. Repetition, layering, and erasure begin to emerge as key strategies, anticipating later works that engage more directly with trace, memory, and fictioning.