Painting of two dogs standing on the ground in front of a warehouse with a person walking inside and a car parked in front.

No Further Observations, 2026

Oil on board

90 × 90 cm

Always Seen but Overlooked 2.0 was a group exhibition exploring perception, visibility, and the unnoticed within contemporary image-making.

This painting forms part of an ongoing exploration into constructed imagery and memory, combining observed and mediated sources. The work draws on cinematic composition and painterly fragmentation to create a sense of ambiguity, where narrative is suggested but not fixed.

The figure and surrounding environment exist in a suspended moment, inviting the viewer to navigate between recognition and uncertainty.

Photo credit: Rachel Deakin

Art gallery with white walls displaying three paintings: an abstract piece with bold shapes and colors on the left, a small framed artwork in the middle, and a dark-toned painting depicting a person walking dogs on the right.

Gallery wall with two paintings, one abstract and one urban scene, and a small shelf with colorful objects, in an art gallery with white walls and a concrete floor.